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Todd van Hulzen Design

 Scenography & Exhibition
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      • I. Civilian Costume from the Known World, 1784
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      • III. De Bry’s Fortificatio
      • 4. Cartouches from the Maps of Joan Blaeu
      • V. Scans from Colling’s Gothic Ornaments
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Cabin 2016

  • Oct 25, 2018
  • Todd Van Hulzen
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SCENOGRAPHY & EXHIBITION

Todd van Hulzen is an exhibitionist. At his design studio a shameless love of history and beauty are harnessed to help you set the scene for lasting memories 

Todd van Hulzen Design is an Amsterdam based multifaceted design studio specialized in showing off: creating museum exhibitions, visitor experiences, design presentations, exhibit furnishings, art objects and theatrical environments. We combine pragmatism with vision and professionalism with fantasyy

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Meer in de reeks Noord Hollandsch houten gevels. D Meer in de reeks Noord Hollandsch houten gevels. Deze heeft duidelijk meerdere updates ondergaan: de datum leest 1635 maar de gevelornamenten zijn 18e eeuws. En ze zijn niet de minsten. Wat een fraai steekwerk.
Dol op borduren met stekelvarkenpennen. (Collectie Dol op borduren met stekelvarkenpennen. (Collectiebezichtiging en objectindeling voor nieuwe tentoo "First Americans" bij Volkenkunde in Leiden.) En die schoentjes!
In the flow. Working happily on the exhibition "Fi In the flow. Working happily on the exhibition "First Americans", which is a well posited, quiet response to Leiden's so-called Pilgrim Year. The decimation of indigenous North American people's after colonisation is fact, but do visitors know how resilient, engaged and thriving these people are today? "First Americans" shows contemporary expressions of self-identification, agency, creativity, beauty and even futurism along side supporting objects out of the museum depot. Opening in May at Museum Volkenkunde. #firstamericans #exhibitiondesign #tentoonstelling #volkenkunde #nativeamerican
Excited to be moving to the next productive phase Excited to be moving to the next productive phase for a permanent museum exhibition dedicated to the history of sounds in Monnickendam and the belltower that unites it all! With @studio_louter we'll create sound experiences that highlight the importance of bells, even off-key bells, in a small Dutch city, recognized by UNESCO World Heritage. Also it gives me an excuse to make models of another Renaissance Dutch tower. Waterlands Museum de @speeltoren. #monnickendam #carillon #erfgoed #unesco #worldheritage #speeltoren #falsspelen
Onze prachtige vaste tentoonstelling over de befaa Onze prachtige vaste tentoonstelling over de befaamde drukker Joh. Enschedé en Zonen staat er. Kom naar de Janskerk in Haarlem (thans Noord-Hollands Archief) om het te bewonderen. Zie daar onze 'glas-en-lood' ramen van 12 meter hoog en 3 conceptuele installaties die de inhoudelijke thema's benadrukken. Foto's: Kim Krijnen . . #johanenschede #noordhollandsarchief #nharchief #drukker #archives #museum #exhibitiondesign #tentoonstelling #scenography
Facades in Dordrecht. The Baroque did make its ent Facades in Dordrecht. The Baroque did make its entry into Dutch architecture, but generally as a surface treatment. The designer Daniel Marot fled the French court to the warm, but decidedly poorer, embrace of William III. His ornamental drawings influenced a generation of architects, as seen here. #baroque #dutcharchitecture #danielmarot
Fantastic early modern city gate ornaments in Dord Fantastic early modern city gate ornaments in Dordrecht, as befit the oldest city in Holland proper. 50 years after his death the revolutionary influence of Michelangelo's architecture was making its presence felt in the Low Countries. Individualist, expressionist and wonderfully plastic; within a short time Northern Mannerism was replaced by stolid Dutch classicism, waiting a generation to arrive at the Baroque. #dordrecht #citygate #stadsoort #northermannerism #mannerism #earlymodern #architecture
More Dordrecht. Leading was commonly replaced by More Dordrecht. Leading was commonly replaced by ornamented grilles in the front overlights of Dutch entryways at the end of the 17th century. It was a standard element of any Louis XIV facelift and held sway into the Empire.
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